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Jan Peerce (born Yehoshua Pinkhes Perelmuth; June 3, 1904 December 15, 1984) was an American tenor. Peerce was an accomplished performer on the operatic and Broadway theatre concert stages, in solo recitals, and as a recording artist. He is the father of film director Larry Peerce. AllMovie.com: Larry Peerce
Peerce became the brother-in-law of fellow American tenor Richard Tucker when Sara Perelmuth, Peerce’s only sister, married Tucker, who was then a part-time cantor, in 1936. Jan remained on the Lower East Side until his 1930 marriage to Alice Kalmanovitz (1907–1994), a childhood friend to whom he was married for 54 years, until his death. He died at his home in New Rochelle, New York on December 15, 1984 at the age of 80. The Daily New Rochelle Peerce is interred at Mount Eden Cemetery in Valhalla, Westchester County.
Peerce joined the roster of principal tenors at the Philadelphia La Scala Opera Company (PLSOC) in 1938. He made his professional opera debut with the company on December 10 of that year as the Duke of Mantua in Giuseppe Verdi's Rigoletto with Robert Weede in the title role and Fritz Mahler conducting. He also sang Alfredo in La traviata with Annunciata Garrotto as Violetta and Weede as Germont during the company's 1938-1939 season. Peerce sang in several more performance with the PLSOC through 1941, singing Pinkerton in Giacomo Puccini's Madama Butterfly with Elda Ercole as Cio-Cio-San, and reprising the roles of the Duke and Alfredo a number of times.
On October 8, 1939, Peerce created the role of Diego Columbus in the world premiere of Eugene Zador's opera Christopher Columbus at the Center Theatre. In November 1939, he performed his first solo recital in New York City. He made his debut with the Metropolitan Opera on November 29, 1941, singing Alfredo in Verdi's La traviata. He sang also the parts of Cavaradossi in Puccini's Tosca, Rodolfo in La bohème, and in Charles Gounod's Faust. He was hailed by critics as the "All-American successor to the 'greats' of opera's almost extinct 'Golden Age'."
In December 1943, Peerce appeared in the OWI film Hymn of the Nations with Toscanini, the NBC Symphony Orchestra, and the Westminster Choir in a performance of Verdi's then seldom-heard cantata. Filmed in NBC Studio 8-H, the soundtrack of the performance of Hymn of the Nations has been issued on LP and CD by RCA Victor, and the entire film has been released on video-cassette and DVD.
the 1950s Peerce performed regularly as a featured soloist before audiences of over 14,000 guests under the conductor Alfredo Antonini at the Lewisohn Stadium in New York City. These Italian Night open-air concerts featured the New York Philharmonic and the Lewisohn Stadium Orchestra along with such operatic luminaries as Richard Tucker, Robert Merrill, and Eileen Farrell. The New York Times, August 8, 1949, pg. 11 The New York Times, July 24, 1950, pg.26 The New York Times, July 11, 1952, pg. 13 The New York Times, July 18, 1952, pg. 10 The New York Times, July 20, 1953, pg. 14 The New York Times, July 10, 1954, pg. 6 The New York Times, June 12, 1955, pg. X7 The New York Times, May 14, 1958, pg. 36 The New York Times, July 30, 1958, pg. 19 The New York Times, May 6, 1959, pg. 48 The New York Times, May 14, 1959, pg. 29
In 1956 Peerce made a sensation in Moscow as a musical "cultural exchange" ambassador, being the first American to sing with the famed Bolshoi Opera. He remained on the roster of the Metropolitan until 1966, appearing again in 1966-1967. He also taught a master class. In 1971 he made his Broadway theatre debut as Tevye in Fiddler on the Roof.
continued to make occasional appearances until his retirement in 1982, remaining in fine voice. His last concert was on May 2, 1982, as the guest artist with the Beth Abraham Youth Chorale in Dayton, Ohio.
Peerce recorded almost exclusively for RCA Records as a "Red Seal" artist from the late 1930s to the early 1960s. Among his first RCA Victor recordings were as a featured soloist in Nathaniel Shilkret's 1939 tribute album to Victor Herbert. Peerce had been the tenor soloist in Toscanini's 1938 broadcast concert of Beethoven's Ninth Symphony, which was rejected for commercial release by Toscanini and RCA Victor; it wasn't until 1952 that Toscanini approved a studio recording of that symphony (with Peerce as tenor soloist) for release.
Peerce also sang in Toscanini's 1944 performance/broadcast of Beethoven's Fidelio with Rose Bampton, followed by the complete performances of Giuseppe Verdi's La traviata, Giacomo Puccini's La bohème (both with Licia Albanese), and Verdi's Un ballo in maschera (with Herva Nelli), all eventually released by RCA Victor on LP and CD. Peerce did not sing in Toscanini's broadcasts of Verdi's Otello, Aida, or Falstaff; he was offered the tenor parts in the latter two but declined, believing his voice was not right for those roles. He also sang in the Madison Square Garden concert in 1944, which featured the final act of Rigoletto with Leonard Warren, Zinka Milanov, and Toscanini conducting the combined New York Philharmonic and NBC Symphony Orchestra; this performance was recorded and also released by RCA Victor on LP and CD. In 1952, he participated in Toscanini's only studio recording of the Beethoven Ninth Symphony, which the Maestro finally approved for release by RCA Victor.
Among the operas Peerce recorded commercially for RCA Victor were Verdi's Rigoletto in 1950 with Leonard Warren singing the title role, Erna Berger, and Nan Merriman, Georges Bizet's Carmen in 1951 with Risë Stevens in the title role, Licia Albanese, and Robert Merrill, and also Donizetti's Lucia di Lammermoor in 1957 with Roberta Peters, Philip Maero, and Giorgio Tozzi and Ariadne auf Naxos, with Leonie Rysanek, Sena Jurinac, Roberta Peters, and Walter Berry, conducted also by Erich Leinsdorf. Several opera excerpt albums with Peerce were released by RCA Victor as well including Samson et Dalila with Risë Stevens and Madama Butterfly with Licia Albanese. Many broadcasts of performances from the Metropolitan opera and other houses with Peerce have been released on LP and CD as well. Peerce later recorded several operas and oratorios for Vanguard Records, a good majority of them Handelian.
For Westminster Records in 1961, Peerce again recorded Fidelio opposite Sena Jurinac and Beethoven's oratorio Christ on the Mount of Olives with Maria Stader; for Columbia Records he sang the title role in a 1963 recording of selections from Sigmund Romberg's The Student Prince, opposite Roberta Peters, and also featuring Giorgio Tozzi. Peerce's final religious, pop, and recital albums from the late 1960s through 1980 were released by Vanguard.
Peerce's best-selling record was his 1945 RCA Victor recording of "Bluebird of Happiness" (music by Sandor Harmati, lyrics by Edward Heyman and Harry Parr-Davies). It became his "signature tune" and he recorded it at least three times for RCA Victor. As of the late 1970s, it remained among the all-time best selling recordings by opera and concert singers. According to Peerce and his collaborator in his memoirs, Bluebird was second in sales only to Enrico Caruso's 1918 recording of George M. Cohan's "Over There". Estimated sales of the Caruso recording by discographer John R. Bolig indicate, however, that the 1918 disc was not among the top-selling operatic recordings of the Victor Talking Machine Company. Peerce titled his 1976 autobiography The Bluebird of Happiness: The Memoirs of Jan Peerce.
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